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I drew the landscape, simplified my drawing, figured out how to piece it, made a pattern and, using the commercial fabrics in my stash, went for it. I knew at the time it would be one in a series -- a series of two, perhaps, but a series nevertheless. The light outside that window was so remarkable, so changeable, that one "Timber Ridge" couldn't possibly define the view.
Three years later, I took a class from Ruth McDowell, and realized "I've already done this." My job in the workshop, I figured, was to complexify what I'd done. Hence, Timber Ridge 2. This one sat, unfinished, for more than a year while we got ready to move and, eventually, made the transition from the window seat house up to Portland. A week or so ago, after finishing the Flatirons commission (see below) -- another landscape quilt, but one that reflects what I've learned in the interim about value and curved piecing, among other things -- I exhumed TR2 and, in a two-day frenzy, quilted every blessed centimeter of it. This evening I sewed on the sleeve and, ta da, the label. So it's finished.
1 comment:
I really like the first version better. But that is me - I love nature abstracted. Both are lovely!!
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